Anthologies of Terror 2019: 86 Horror Anthology Films Analyzed: 4: Hutchison, Steve: Amazon.nl Dead of Night (1945) helped to popularize the format for horror anthology films—although they had existed as far back as Unheimliche Geschichten(1919) or Waxworks (1924)—and British company Amicus made several such films in the 1960s and 1970s. Indeed, the band in question famously took their name from this celebrated anthology film, which spins three tales of Mario Bava-directed horror. Watching horror on television often provides our first scary viewing experience, whether it’s chancing upon a film late at night or the classic practice of watching Doctor Who from behind the sofa. From these disparate fairy tales, plenty of fodder for campfires, Kobayashi creates a mythos for his country’s haunted past: We are nothing if not the pawns of all those to come before. ! A prototype for horror anthology movies, this British film inspired the '90s HBO TV show and embodied the devilish anthology success of Amicus Studios during the '60s and '70s. That fact does not make it any less of a classic in our eyes. Britain’s Amicus Horror Productions were a natural fit to take a crack at Tales from the Crypt in 1972, being a studio that specialized in horror anthologies, and although the comparatively lackluster Crypt Keeper will have you missing the more charming puppet host-to-come, the stories are bloody good fun. 2019 closes out an uncommonly strong decade for horror movies with some potential future classics of its own, and we took all of the Fresh and Certified Fresh hits with critics to give you the full list of the 32 Best Horror Movies of 2019. Some of that goes to the performances, as Welsh actor Mervyn Johns is excellent as a man who walks into an English cottage, knowing he’ll meet five other guests there who hold the key to his fate, and Michael Redgrave is spectacular in his most famous story, “The Ventriloquist’s Dummy.” Redgrave’s performance as a mentally deteriorating ventriloquist who may or may not be controlled by his own abusive dummy is something you have to see—you could hardly have had multiple Twilight Zone episodes (or even the Goosebumps movies) without it. It’s the difference between knowing homage and unconscious referencing. Still, there are properly unnerving sights here, as well as some beautifully cinematic ones. Fans of flicks like Magic (1978) and Dead Silence (2007) will certainly enjoy this mini-movie. Philippine horror anthology films‎ (1 C, 2 P) S South Korean horror anthology films‎ (6 P) Pages in category "Horror anthology films" The following 11 pages are in this category, out of 11 total. Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel princess haunted by a ghostly horse, a sadistic young man haunted by his double, and an alcoholic actor haunted by the Devil. Originally conceived as a gorier, more grotesque spin on the Tales From the Crypt formula for Showtime, the series was cancelled after only a few potential episodes had been filmed. XX stands apart from other horror films because it invites its audience to feel a range of emotions aside from just fright. Cat’s Eye collects a few stories from King’s well-loved first collection of short fiction, Night Shift, while tossing in an original tale for good measure. To say any more would be to spoil this fascinating and subversive take on the vampire story, an absolute essential totem of the horror genre. have likely never seen before. Film. Below are 10 of the most underrated anthology films. —Jim Vorel, Ghost stories don’t get much more gorgeous than the four in Masaki Kobayashi’s sprawling Kwaidan. Votes: 5,669 Perhaps it approximates oral tradition—different stories told by different speakers, gathered around a campfire or sharing a cabin on a dark and stormy night. It's time to look over some unforgettable collections of savagery and satire. Comics (Vault of Horror or Tales From the Crypt). This list may not reflect recent changes . —Jim Vorel, Directors: Roxanne Benjamin, Annie Clark, Karyn Kusama, Jovanka Vuckovic, Sofia Carrillo, It’s important that the scariest segment in XX, Magnet Releasing’s women-helmed horror anthology film, is also its most elementary: Young people trek out into the wilderness for fun and recreation, young people incur the wrath of hostile forces, young people get dead, easy as you please. If the output of British film studio Amicus Productions usually lacked the refinement and grandeur of Hammer’s horror films, they always seemed to make up for it with cheeky, good-natured charm. View Movies By Title: Indeed, Trick ’r Treat is actually best enjoyed through repeat viewings, which reveal the crossovers between each story even better. Arguably the Casablanca of horror anthology films, Dead of Night showcases a strong handful of creepy and darkly amusing tales, but it’s probably best remembered for its masterful story about a ventriloquist who is convinced that his dummy is not only alive but incredibly malicious. The film is also odd for the fact that its most acclaimed segment, “The Accident,” is really more of a melodrama than a horror short, out of place with the rest of the film while simultaneously delivering an emotionally powerful tale. The stories themselves are wonderful, pulpy fun, from the gothic, ghostly “Father’s Day” to the bloody, beastly conclusion of “The Box,” which features the death of a truly irritating Adrienne Barbeau. (top image source: Amicus Films) Nyman and Dyson love horror. Anthologies of Terror 2018: 70 Horror Anthology Films Analyzed: 3: Hutchison, Steve: Amazon.nl While the anthology format has been almost exclusively used within the horror genre, there have been other films that have utilized it. It’s fun to watch Body Bags today for the not-so-subtle genre references (“Another grisly murder in Haddonfield today…”) and the incredible array of character actors and cameos that were lined up, including the likes of Wes Craven as a leering perv, Stacy Keach as a guy receiving miracle hair transplants, Charles Napier as a baseball manager, Twiggy as a housewife (reuniting these two from The Blues Brothers), Roger Corman as a doctor, Tom Arnold as a mortician and Sam Raimi as a corpse. ... A horror-comedy anthology comprised of four gruesome shorts. Midnight Marquee Press. Directors: Damon Santostefano, Jeffrey Baker, Frank Kerr, Jonathan Mostow, Richard Taylor | Stars: Eddie Brill, Chris Phillips, Jennifer Jacobi, Hugh D'Autremont. We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen kunnen aanbrengen, en om advertenties weer te geven. Directors: Federico Fellini, Louis Malle, Roger Vadim | Stars: Jane Fonda, Brigitte Bardot, Alain Delon, Terence Stamp. The UK’s Ealing Studios virtually invented the concept of the anthology horror film with this classy frightener from 1945. It’ll be tough for them to deny this quick-hitting anthology’s great mix of visual power underscored by its unique performances.-Was this review of use to you? That’s one of the factors that helps V/H/S work better than, say, the unrestrained insanity of The ABCs of Death. Using a combination of critical acclaim, impact, and personal bias, I've constructed a list of what I might consider the best anthology horror films. This is particularly difficult as the number of entries rises in any given anthology—three to five often seems to be the sweet spot, while anthologies with a few dozen stories (such as The ABCs of Death) tend to be frustrating just as often as they’re effective. Normally composed by three or four short films interwoven by a primal or frame story, anthology horror films tend to find the positive reception and even critical acclaim commonly unusual in the genre. —Jim Vorel, The spiritual successor to the first two Creepshow films was the Tales from the Darkside feature film—also an anthology—even more ridiculous and zany than Creepshow. Although the concept of “anthology” films could be said to date back as far as D.W. Griffith’s Intolerance in 1916, the storytelling device has always found a natural bedfellow with the horror genre. Votes: 85 Two obscure film critics host four SF/Horror films: The Thing in the Basement, Illegal Alien, Nightfright, and Dr. Dobermind. As you might have already guessed, “The Black Cat” is essentially an adaptation of Poe’s “The Cask of Amontillado,” to appropriately macabre results. Discover the best Horror Anthologies in Best Sellers. From pioneering works and cult horror classics to modern-day nightmares, here are the best horror anthology movies you need to see. The strength of King’s source material shines—“Quitters, Inc.” is very creepy, in a dystopian future sort of way, while “The Ledge” is reminiscent of the excellent Creepshow segment “Something to Tide You Over.” Even the new “General” is a silly joy, as it pits its cat (now the film’s main character, as it were) against a tiny little troll/gremlin determined to kill a 9-year-old Drew Barrymore in her sleep. Between two acerbically political and widely lauded samurai epics, Hara-kiri (1962) and Samurai Rebellion (1967), Kobayashi led what was then Japan’s most expensive cinematic production ever, an anthology film with its parts loosely connected by Lafcadio Hearn’s collection of Japanese folk tales and Kobayashi’s intuitive penchant for surreal, sweepingly lush sets. Not wanting to lose the material, Carpenter simply assembled his favorites into a feature film (that feels like it was meant to be a film all along). —Jim Vorel, Directors: Douglas Buck, Buddy Giovinazzo, David Gregory, Karim Hussain, Tom Savini, Richard Stanley, Jeremy Kasten, The Theatre Bizarre is an odd case for horror anthologies: The names you’re likely paying admission to see ultimately don’t end up being the film’s highlights. Movies. Horror stories, often simplistic and straightforward by nature, can function well as bite-sized morsels of fright. c’è un uomo sull’ala di questa bandiera è ora di dare un’occhiata ad alcuni collezioni indimenticabili di ferocia e satira benvenuto su watchmojo.com e oggi siamo contando le nostre scelte per i primi 10 As you might expect, it’s a bit on the gross side. For those who don't know, this involves horror movies that are segmented with several stories, often with a wraparound to connect them. Thomas, Kevin (May 5, 1987). The French Fear(s) of the Dark therefore stands out as a significant outlier, even before you factor in the choice to present all of its tales in different variations upon “black and white.” Visually, there’s nothing else quite like it: the five tales are moody and evocative, each one striking to behold, although they do tend to take their time in the telling. Find the top 100 most popular items in Amazon Books Best Sellers. Delen. If so, let me know by clicking "Helpful." Closer “The Facts in the Case of M. Valdemar” is a bit of a snooze, but middle chapter “The Black Cat” delights, pitting Price (as a snobbish aristocrat wine expert) against a career lush everyman played by Peter Lorre, who promptly runs circles around him in a competitive wine tasting. p. 282. written by Richard Matheson, based on stories by Edgar Allan Poe, Milne, Tom. Maybe it’s for the best that the movie never goes there. Anthology film series are rare compared to their TV and radio counterparts. Votes: 5,388 Most of all, you might have to bite your tongue to keep from laughing uncontrollably during the film’s best short, “The Birthday Party,” written and directed by Annie Clark, better known by some as St. Vincent, in her filmmaking debut. Best Horror Anthology films ever made written by Souranath Banerjee. #top5 #anthology #drgangrene Horror Stories (while being terribly titled) is a great surprise of an Asian anthology film. Fans of flicks like Magic (1978) and Dead Silence (2007) will certainly enjoy this mini-movie. Working with Stephen King in his screenwriting (and unfortunately, acting) debut, Romero dives deep into a childhood obsession and love for EC Comics horror series, using vibrant, phantasmagorical splashes of color in a way that almost parallels how Sam Raimi would eventually evoke comic book panels in Spiderman 2. —Jim Vorel, Transferring the formula established by Tales From the Crypt and other adaptations of classic EC Comics series to the inner city, Tales from the Hood was always bound to stand out as a unique entry in the horror genre. Hardy, Phil. without "Intro"/"Preface"; "End"/"Epilogue" or "Frame". Metro Kathalu. See more ideas about anthology film, horror, horror movies. If so, let me know by clicking "Helpful." It helps that there are common themes that run across the film—loss, regret and guilt make up a repeated refrain—and that the sum of its parts adds up to an examination of how people unwittingly architect their own suffering. African-American horror has never been particularly common or accessible to most American cinemas, which also served to make Tales from the Hood something of a 1990s touchstone of the genre for Black horror fans. Southbound’s five individual tales are as tightly interwoven as the seemingly inescapable roads fatefully traversed by characters whose nightmares, secrets and flaws are all exposed in unnerving and … The visual effects, likewise, are often top-notch for the era despite its relatively low budget, the highlight being when an abusive character played by David Alan Grier (it’s strange to see him as a villain) has his body crumpled up into a ball via magical ritual, with disgustingly effective results. As for which of the first two V/H/S entries is strongest, though, it’s a bit of a toss-up. 50:47 [Deleted video] Three Dangerous Ladies (1977 UK Horror Anthology) by Fear Of Ghosts. More interesting is the framing device itself, which sees a young woman lured into an abandoned theater, where a puppet (played by none other than Udo Kier) tells her stories as the two begin to metamorphosize. SEASONS (2021) is an epic new anthology horror film from Subsoil Films. With the exception of the more light-hearted “The Golfer’s Story,” each tale operates within the same spooky tone, gradually ramping up the intensity until the film’s conclusion, the pièce de résistance: a mind-bending meta twist that combines all the stories into one, conceived and executed in a manner that is so shockingly modern that it seems like it could have been the work of Christopher Nolan. Although honestly, my favorite aspect of Tales from the Darkside: The Movie is the anthology framing story, which involves a child chained up in the kitchen of a witch who is planning on cooking him for dinner. Willemin, Paul. That fact does not make it any less of a classic in our eyes. From Beyond the Grave (1974), Trilogy of Terror (1975), Heavy Metal (1981), Twilight Zone: … I can't help but see horror anthologies as a continuation of a time when we used to sit around the camp fire and tell short ghost stories to one another. The likes of Tom Savini and Richard Stanley are the hooks for this grand guignol-themed take on the anthology structure, but their segments are both loosely structured and narratively inert. It’s tough being the guy who charges the stage during televised psychic readings to rain on the audience’s parade, but that’s Goodman’s life. Horror Anthology Film, Los Angeles, California. Here’s hoping that the long-discussed sequel actually shows up one of these days. Los Angeles Times. Scare Package (2019) Anthology , Comedy , Supernatural , Survival , Thriller | Campy , Madness , Meta , Teens “Isolation,” a horror anthology film, has finished its principal photography shooting entirely in quarantine. In some strange way, it works. It’s like someone reimagined Tom and Jerry as a horror film. Horror Anthology Films. Although all three segments star actress Karen Black and are based on the stories of Richard Matheson, it’s “Amelia” that captivated audiences: a quirky tale about a young woman who lives alone in a high-rise apartment, where she is menaced by an African “Zuni fetish doll” that magically comes to life wielding a spear and ludicrously large knife. Browse through all of the best, and worst, anthology horror movies of all time including Southbound, Creepshow and A Taste of Phobia. Top 10 Anthology Horror Films. At the very least, the second film contains what might be the single best segment in the entire series, Eduardo Sanchez’s “A Ride in the Park.” Without giving everything away: It involves bicyclists, zombies and helmet-mounted GoPro cameras, which help give us a perspective we’ve never really seen in horror while deftly avoiding the question of “Why would anyone be filming this?” There’s still some not-great segments—really the ideal V/H/S would be a compilation that takes only the best segments from each entry to create a really solid horror anthology. Nobody much seemed to care. They’re appropriately creepy, running the gamut from a tale about the dismembered body of a murdered wife returning to life to seek revenge, to a bizarre little ditty about a scientist seeking to transfer his soul into a tiny, robotic doll. “The Woman of the Snow” follows a craftsman (the always welcome Tatsuya Nakadai) doomed to have everything he loves stolen from him by a patient bureaucratic specter. Their anthology horror films, such as Dr. Terror’s House of Horrors, have a disarmingly simple quality to them—less the stately, stuffy gothic horror of Hammer, and more a … Chucky - Anthology Box Vier Chucky-films in een box. They’re a great sub-genre to horror films and serve as a great platform for creativity in the genre. But it’s not just the individual stories that make Dead of Night the greatest of horror anthologies, it’s how well they all work together. Anthology Horror Movies. Based on the writings of Psycho author Robert Bloch, each story affords more of a dignified, polished feel compared with some of the other, campier Amicus anthologies. —Jim Vorel, Creepshow 2 is very much a 1980s horror sequel: It attempts to largely replicate what audiences enjoyed about the first film iwithout mucking around too much with the formula, producing a good-but-not-quite-great effort in the process. —Jim Vorel, Directors: Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, Worth repeating: Horror anthologies are, by nature, almost always uneven in terms of quality, but if there’s one constant, it’s that fewer is better than many. Its tales are silly and basic, but it’s buoyed by a strong cast of familiar British faces, from the duo of Peter Cushing and Christopher Lee (they’re in different stories, sadly) to Raiders of the Lost Ark’s Denholm Elliott and consummate Hammer buxom beauty Ingrid Pitt. "King's 'Cat's Eye' trio dogged by limp pause". Kwaidan (怪談, Kaidan, literally "ghost stories") is a 1965 Japanese anthology horror film directed by Masaki Kobayashi.It is based on stories from Lafcadio Hearn's collections of Japanese folk tales, mainly Kwaidan: Stories and Studies of Strange Things (1904), for which it is named. This is the rarest of cinematic feats—we’ve been making horror anthologies for more than 70 years since Dead of Night without quite managing to top the experience. Sly comedy and great performances from an array of familiar faces (Brian Cox, Dylan Baker, Anna Paquin) power each of the segments, and none of them overstay their welcome. Then he gets a letter from Charles Cameron, a famed paranormal investigator and Goodman’s boyhood idol. What is memorable about Body Bags is the goofy wraparound segments, which feature Carpenter himself as a Crypt Keeper-esque mortician who gleefully hacks apart bodies and drinks formaldehyde, showing a much lighter hearted personality than you’d expect from the director of dour films like The Thing or Prince of Darkness. Now decrepit and living alone in a van by the ocean, Cameron challenges Goodman to explain three supernatural cases he couldn’t solve himself. The movie-unto-itself, “Hoichi the Earless,” pits the titular blind monk musician (Katsua Nakamura) against a family of ghosts, forcing the bard to recite—in hushed, heartbreaking passages on the biwa—the story of their wartime demise. A chilling horror anthology film told in four chapters, Immortal boasts career-best performances from a cast that also includes Mario Van Peebles, Lindsay Mushett, and Jason Stuart. 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